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Sound Perspectives: the Art of Music Placement in Film, TV and Trailers

A discussion with Music Supervisors representing a wide range of industry perspectives on how music is placed, passion projects, and their increasing role in helping to break new artists.

More about our panel:

Morgan Rhodes
Morgan Rhodes is an LA-based music supervisor who is known for her work on projects such as Selma, Queen Sugar, and Dear White People which has allowed her to collaborate with filmmakers like Ava DuVernay, Oprah Winfrey, and Justin Simien. Since the early days of cutting her teeth as an on-air personality at influential independent radio station KCRW, Morgan has spent the last several years as a music programmer with shows on Philadelphia’s WURD 900AM and LA’s KPFK. Her blend of avant-garde R&B, left-field soul, electropop, beats, dance and world music has won listeners both domestically and globally.

Brooke Wentz, Music Supervisor, Seven Seas
Brooke Wentz is CEO and co-founder of the new international music discovery site Seven Seas Music. As the former Music Director of ESPN she founded the music supervision and licensing firm The Rights Workshop. She has authored numerous articles about music and published the book Hey, That’s My Music!: Music Supervision, Licensing and Content Acquisition and most recently Music Rights Unveiled. She is a Billboard Award winning producer for one of the best selling world music recordings, and a former NYC radio host. A graduate of Barnard College and Columbia Business School, Brooke resides in her native city, San Francisco.

Megan Barbour, Music Supervisor, Buddha Jones
Megan is a music supervisor at Buddha Jones in Hollywood CA. For the past four and a half years she has worked on numerous theatrical, broadcast, and video game trailer marketing campaigns for major studios including HBO, Netflix, Paramount, Amazon, Focus, and Warner Brothers. She is honored to be a part of the amazing Buddha Jones team

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Wednesday, April 10, 2019 from 5:30pm to 7:30pm